Overview
The Ultra Keyer contains 2 built-in keyers: a pre-matte keyer that acts as a garbage matte, and a color difference keyer that extracts the edge detail and transparency.
The Fusion documentation explicitly recommends trying the Delta Keyer first, then Primatte (Studio only), and finally the Ultra Keyer as a third choice. It can beat the others on particular kinds of footage.
Where to find this node
- Effects Library:
Tools > Matte > Ultra Keyer - Quick add: right-click in the Node Editor →
Add Tool > Matte > Ultra Keyer
Inputs (4)
- Input (orange) - required. The green/blue screen plate.
- Garbage Matte (gray) - optional. Areas forced to transparent.
- Solid Matte (white) - optional. Areas forced to opaque.
- Effect Mask (blue) - optional.
Setup
MediaIn (plate) → Ultra Keyer → Merge 2D → Saver
Pre-Matte tab: initial separation
- Background Color
- Picks the screen color (blue or green). An eyedropper to sample it in the viewer.
- Color Level Sliders
- Adjust the R/G/B channels to improve the subject/background separation. More manual control than the Delta Keyer.
- Background Correction
- An iterative process that merges the pre-keyed image over a background → improves subtle edges. A feature unique to the Ultra Keyer.
- Matte Separation
- Pre-processing to separate the FG. Raise it gradually while watching the alpha channel in the viewer.
- Pre-Matte Size
- Softens the edges and fills holes in the matte. Adjust it to suit the subject.
- Lock Color Picking
- Prevents an accidental re-selection of the color after the initial setup.
Image tab (Spill Suppression)
- Spill Suppression
- Removes the background color from the semi-transparent edges.
- Spill Method
- Same scale as the other keyers: None, Rare, Medium (green), Well Done (blue), Burnt (problem cases).
- Fringe Controls
- Gamma, Size, Shape - adjust the halos around the subject.
- Color Correction
- Cyan/Red, Magenta/Green, Yellow/Blue sliders to color correct the semi-transparent pixels.
Matte tab: alpha refinement
- Filter
- Box (fast/low quality) / Bartlett / Multi-Box (variable passes) / Gaussian (best quality).
- Blur
- Softens the edges of the matte.
- Contract / Expand
- Shrinks / grows the semi-transparent areas.
- Gamma
- Adjusts the gray areas of the matte.
- Threshold
- Creates binary transitions.
- Restore Fringe
- Brings back clipped edge detail (especially hair).
- Invert Matte
- Inverts the transparency.
- Solid / Garbage Matte Options
- Apply the masks connected to the matching inputs, with an invert option.
- Post-Multiply Image
- Keeps the premultiplied state for clean compositing.
Ultra Keyer vs Delta Keyer
- Order recommended by the Fusion documentation
- 1. Delta Keyer → 2. Primatte (Studio) → 3. Ultra Keyer. The Ultra Keyer is a third choice, useful when the first two do not give good results on a particular piece of footage.
- Delta Keyer
- More modern, more tabs, a Clean Plate input. The everyday reference.
- Ultra Keyer
- Older, with a different workflow. The iterative Background Correction is sometimes better on some footage. Worth trying when the Delta gives dirty edges you cannot clean up.
A pragmatic rule: Delta Keyer first. If the result is not right after a real tuning effort, try the Ultra Keyer on the same images - sometimes it gives a noticeably better result for no obvious reason.
Use cases
- A shot where the Delta Keyer gets stuck - try the Ultra Keyer on the same images before moving to Primatte or giving up.
- A simpler workflow - fewer tabs and parameters than the Delta Keyer. Can be quicker to set up for simple shots.
- Background Correction for edge detail - the Background Correction feature can give better subtle edges than the Delta on some kinds of footage (hair, motion blur).
- A teaching alternative - if a student is stuck on the Delta Keyer, the Ultra Keyer can be easier to grasp with its more linear workflow.
Tips
- A single keyer is rarely perfect - the documentation says so explicitly. Combine it with garbage/solid mattes (polygon or B-spline) for complex cases.
- Lock Color Picking after sampling - avoids accidental re-sampling when clicking in the viewer.
- Alpha channel in the viewer while adjusting - especially for the Matte Separation slider.
- Contract + Blur for halos - the classic combo to remove fringing.
- Not part of your daily flow - for 95% of cases, the Delta Keyer is enough. Only use the Ultra Keyer when the Delta clearly fails.
