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Color Page Connector

By Kriss Norde

The Color Page Connector connects the Fusion page to the Color page in DaVinci Resolve. It lets you send the result of a Fusion composite to Color grading without an intermediate render, and bring the Color corrections back into Fusion. An optimized round trip for a Resolve Studio pipeline.

Overview

Color Page Connector is a pipeline bridge inside Resolve that passes the Fusion image to Color or the other way around, with no intermediate file. Advantage: no quality loss, float data preserved, a fast round trip.

Especially useful in workflows where the Fusion composite produces a result that a colorist must grade properly on the Color page, or the other way around.

Where to find this node

  • Effects Library: Tools > Resolve Connect > Color Page Connector
  • Often added automatically by Resolve when a clip has an open Fusion comp.

Fusion ↔ Color workflow

Fusion → Color
Compositing done on the Fusion page, result sent to the Color page for grading. Color receives the already composited result as its input.
Color → Fusion (loop)
If the grade changes, the impact is visible right away in Fusion through the connector. Allows fast iteration.
Standard Resolve pipeline
Edit → Fusion (compositing) → Color (grading) → Deliver. The connector links Fusion and Color without an intermediate render.

Setup

Fusion → Color workflow:
[Fusion page]
MediaIn → Compositing → MediaOut
                       ↓
[Color page receives]
Fusion MediaOut becomes the input → Color grading → Deliver

Fusion consuming a Color grade:
[Color page: grade applied to the clip]
[Fusion page]
Color Page Connector → Additional compositing
                    → MediaOut
                    (the compositing sees the already graded clip)

Full round trip:
Edit clip → Fusion page (compositing) ↔ Color Page Connector
                                        ↓
                                 Color page (grading)
                                        ↓
                                 Deliver

Use cases

  • Standard broadcast pipeline - TV / web where the Fusion composite is then graded by a colorist on the Color page.
  • VFX integration - 3D / VFX compositing in Fusion, then integration with a global balance in Color.
  • Preview with the grade - work in Fusion with a preview of the applied Color grade = a WYSIWYG closer to the final result.
  • Multi-pass workflow - some effects are better done in Fusion (technical compositing), others in Color (creative grading). The connector unifies both.

Tips

  • Resolve Studio recommended - the Fusion + Color workflow takes full advantage of the Studio version (GPU acceleration, more capabilities).
  • Transparent round trip - no intermediate file, data stays in memory. Always prefer this over export/re-import.
  • Check the processing order - by default, Fusion → Color. But depending on the clip settings, it can be reversed. Check it in the Project Settings.
  • Consistent color space - moving between Fusion ↔ Color preserves colors if color management is enabled. Otherwise there is a risk of mismatch.
  • Performance - the Fusion ↔ Color link uses resources. A strong GPU is recommended for smooth playback.